Author Archives: Alftuba

Octodad Preview

I don’t post much about video games – mostly because I don’t know much about them. I’m pretty terrible at anything other than Tetris or MarioKart. But this new game called Octodad looks hilarious and adorable.

You play an octopus trying (miserably) to pass as a human family man. Premise sounds hilarious, though I imagine it’s probably pretty hard. (The preview above reminds me of QWOP.) Still, I want to try it out. (I might even want to try it out more than I want that $15 in my bank account… hmm…)

NPR covered it here.

View the website and purchase the game here.

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Karen O Inspired By Steve Martin in The Jerk

Karen O told the NY Times her Oscar-nominated “The Moon Song” from Her was inspired by The Jerk. In perhaps the most beautiful scene of that great comedy, Steve Martin plays a ukulele as he and Bernadette Peters sing “Tonight You Belong to Me”. Then, of course, Peters pulls the sweetest cornet solo out of nowhere.

I can see the similarities, in mood as much as anything else. I mean, sure: the couple, the romance, the ukulele are obvious. But the subtle sweetness is what gets me. In recent years “Tonight” has since become a staple for internet covers. I wonder if “The Moon Song” will catch the same universal adoration.

What do you think? Let’s compare…

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BAFTA Winners: Split Sheds No New Insight

gravity-12years

The British Academy of Film and Television Arts (BAFTA) handed out their awards yesterday. They are basically the British version of the Academy and the last major precursor we have before the Oscars.

With the Olympics extending the season an extra few weeks, the Oscar ballots only went out a few days ago. That means we have another half-month of hemming and hawing over intangible “buzz,” with no other big group to give us a real hint at where we’re headed. It’s true that a lot can change in two weeks. Given the extreme closeness of this race, hyped-up news stories based on rumors cooked up by campaign strategists could have an impact in the empty void in between BAFTA and Oscar. But my guess is it really won’t.

Nothing has been settled yet in any of the phases so far. From the festival circuit, to the various critics’ awards, to the guild awards, to now – we still have a tight race that appears to be 12 Years a Slave for picture and Gravity for director. American Hustle seems to have stumbled ever so slightly in recent days, but you’d be crazy not to think it’s still in the mix.

BAFTA has done nothing to clear any of this up. 12 Years won picture, while Gravity took director and (somewhat controversially) Best British Film. The only choices that were out of the norm came in 4 categories where the Brits’ unique tastes came through:

  • The very British Philomena took screenplay from 12 Years, out of admiration for Steve Coogan’s outstanding year.
  • Editing went, quite deservedly, to Rush. Europeans love Formula One racing, though it seems to hold little interest over here.
  • Both Actor categories were missing their frontrunners, as Dallas Buyers Club was soundly ignored in the nominating phase. Fellow Brit Chiwetel Ejiofor is an obvious choice in place of McConaughey. But I most thrilled about seeing Captain Phillips’ Barkhad Abdi recognized without Jared Leto standing in the way.

Scroll down for the complete list of winners. (Check out the nominees here.)

Best Picture – 12 Years a Slave
Best British Film – Gravity
Best Director – Alfonso Cuarón, Gravity
Best Actor – Chiwetel Ejiofor, 12 Years a Slave
Best Actress – Cate Blanchett, Blue Jasmine
Best Supporting Actor – Barkhad Abdi, Captain Phillips
Best Supporting Actress – Jennifer Lawrence, American Hustle
Best Adapted Screenplay – Philomena, Steve Coogan and Jeff Pope
Best Original Screenplay – American Hustle, Eric Warren Singer and David O. Russell
Best Cinematography – Gravity, Emmanuel Lubezki
Best Documentary – The Act of Killing
Best Animated Feature – Frozen
Best Music – Gravity, Steven Price
Best Editing – Rush
Best Production Design – The Great Gatsby
Best Costume Design – The Great Gatsby
Best Sound – Gravity
Best Hair & Makeup – American Hustle
Best British Short, Live Action – Room 8
Best British Short, Animation – Sleeping with the Fishes
Outstanding British Debut – Kelly & Victor
BAFTA Rising Star – Will Poulter

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Gravity, Captain Phillips, Frozen Win MPSE Golden Reel Awards

MPSE_Logo

The Motion Picture Sound Editors’ (MPSE) Golden Reel Awards were announce yesterday. Gravity continues its well-earned dominance in the tech guilds. Not much else to say, though this may be the only guild I’ve seen to have categories for direct-to-video. See the complete nominations here.

Sound Effects and Foley in an English Language Feature
“Gravity”

Dialogue and ADR in an English Language Feature
“Captain Phillips”

Animated Feature (English or Foreign Language)
(Includes ADR, Dialogue, Sound Effects and Foley)
“Epic”

Foreign Language Feature
(Includes ADR, Dialogue, Sound Effects and Foley)
“The Grandmaster”

Music in a Musical Feature (English or Foreign Language)
“Frozen”

Music in a Feature (English or Foreign Language)
“The Great Gatsby”

Feature Documentary
“Dirty Wars”

TELEVISION

Short Form: Dialogue & ADR
“Game of Thrones: The Rains of Castamere”

Short Form: Sound Effects & Foley
“Breaking Bad” – “Felina”

Long Form: Dialogue & ADR
“The Bridge” – Pilot

Long Form: Sound Effects & Foley
“Sons of Anarchy” – “Salvage”

Short Form: Music
“Game of Thrones” – “The Rains of Castamere”

Short Form: Music, Musical
“Peg + Cat: The Beethoven Problem”

Long Form Form: Music, Musical
“History of the Eagles: Part One”

Sound Effects, Foley, Dialogue and ADR Animation in Television
“The Fairly OddParents” – “Dumbbell Curve”

Short Form Documentary in Television
“North America: No Place to Hide”

Long Form Documentary in Television
“Deadliest Catch: The Final Battle”

OTHER

Computer Episodic Entertainment
“Mortal Kombat: Legacy Series II”

Computer Interactive Entertainment
“StarCraft 2: Heart of the Swarm Cinematic”

Direct to Video Animation
“Batman: The Dark Knight Returns Pt. 2”

Direct to Video Live Action
“Marvel One-Shot: Agent Carter”

Special Venue
“To the Arctic 3D”

Verna Fields Award in Sound Editing for Student Filmmakers
“Robomax”

Career Achievement Award
Randy Thom

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Make-Up and Hairstylists Guild Award Winners; DBC Still in the Lead for Oscar

dallas-buyers-club-matthew-mcconaughey-jared-leto

Winners for the Make-Up and Hairstylists Guild Awards were announced last night.

The nominees for the corresponding Oscar category are Dallas Buyers Club, Jackass Presents: Bad Grandpa, and The Lone Ranger. The first is still on track to take it, and this announcement does nothing to change that. But the guild has several categories, so the first 2 of those 3 walked away with awards. Interestingly, that 3rd one was the only film to get more than one nomination by the guild, but it still came up winless last night.

American Hustle, which many assumed to be the eventual Oscar winner until it was surprisingly left behind in the nomination phase, also got a win here.

Check out the full list of winners below…

FEATURE LENGTH MOTION PICTURE (Feature Films)

Best Contemporary Hairstyling
“Lee Daniels’ The Butler” – WINNER
“One Chance”
“Unfinished Song”

Best Contemporary Makeup
“August: Osage County”
“One Chance”
“Prisoners” – WINNER

Best Period and/or Character Hairstyling
“American Hustle” – WINNER
“Jobs”
“The Lone Ranger”

Best Period and/or Character Makeup
“Dallas Buyers Club”- WINNER
“The Great Gatsby”
“The Lone Ranger”

Best Special Makeup Effects
“Jackass Presents: Bad Grandpa” – WINNER
“Hansel & Gretel: Witch Hunters”
“The Hunger Games: Catching Fire”

TELEVISION and NEW MEDIA SERIES (Episodic Television)

Best Contemporary Hairstyling
“Bates Motel”
“Breaking Bad”
“The Voice” – WINNER

Best Contemporary Makeup
“Breaking Bad” – WINNER
“Glee”
“Super Fun Night”

Best Period and/or Character Hairstyling
“Hell on Wheels”
“Key and Peele”
“Vikings” – WINNER

Best Period and/or Character Makeup
“Boardwalk Empire” – WINNER
“Hell on Wheels”
“Key and Peele”

Best Special Makeup Effects
“Longmire”
“Vikings”
“The Walking Dead” – WINNER

TELEVISION MINISERIES or MOTION PICTURE MADE FOR TELEVISION (M.O.W) – CABLE NETWORK/M.O.W.s

Best Period and/or Character Hairstyling
“American Horror Story: Coven”
“Behind the Candelabra” – WINNER
“Killing Lincoln”

Best Period and/or Character Makeup
“American Horror Story: Coven”
“Behind the Candelabra” – WINNER
“Game of Thrones”

THEATRICAL PRODUCTIONS (LIVE STAGE – LIVE THEATER)

“Falstaff”
“Magic Flute” – WINNER
“Frank Zappa’s 200 Motels”

COMMERCIALS

Best Contemporary Makeup
“Wash the Day Away (Kohler)”

SPECIAL AWARDS

Distinguished Artisan Award
Johnny Depp

Makeup Artists Lifetime Achievement Award
Dick Smith

Hairstylists Lifetime Achievement Award
Gail Ryan

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Ellen Page’s Coming Out – Full Speech

I know I’m that last to report it at this point, but let’s have another round of applause for Ellen Page!

You know what, give yourselves a hand too: Perhaps the internet content I focus on is an echo chamber, but as far as I’ve seen, the reaction in the press and in the public has all been very positive. Lets hope that all this positivity counters the fear felt by countless others

I believe that every Ellen Page and Michael Sam with the courage to come out in the public eye, in the face of rampant industry sexism and bigotry, equals hundreds of regular people (non-celebrities) who become more comfortable to be who they are, publicly or privately. And that equal hundreds more becoming more comfortable with who their neighbors are, publicly or privately.

Here is Page’s full speech. It’s 8 1/2 minutes, and worth every second.

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Top 10 Shots of 2013

prisoners

“Prisoners” – Cinematographer: Roger Deakins, ASC

Every year Kris Tapley of In Contention counts down his Top 10 Shot of the Year. (There are many imitators, but he was the first.) What makes his articles so wonderful is that he gets to interview each cinematographer about the specific shots in question.

Point of definition: In film, a “shot” is any continuous footage or sequence without edits or cuts. It can last anywhere from a few frames to several minutes.

Check out this year’s list here:
Part One (#10-6)
Part Two (#5-1)

I won’t give anything away, except to say that one of the films in the first part shows up again in the second. And if you’ve seen #2 and #1, you’ll know instantly that they are the most obvious and perfect choices.

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GrabBag: Valentine’s Edition – Princesses and Romantic Video Games

Heart with Question Mark copy

Happy Valentine’s Friday! In lieu of a card or teddy bear, I present you with this GrabBag of screen-related bon-bons…

  • Up first, The Onion’s “Starfix” gives us a behind-the-scenes look at Colin Farrell’s “lack of preparation” for this weekend’s big romantic release, Winter’s Tale
  • Oscar’s telecast producers urged winners to give speeches “from your heart, not from a list.” I can get behind that. Who cares about a list of agents and producers? The speeches we remember are those that take the opportunity to really say something.
  • Speaking of Disney, the cast of Frozen reunited for a live Cabaret night. I wish we got more than 18 seconds of footage from it.
  • And finally, Hoth should never have been chosen to host the Winter Olympics

Hoth olympics

(Source: Imgur)

OK that’s enough candy for today. Time to go buy some real sweets, whether you have a sweetie to share them with or get the whole box to yourself!

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Gravity, Frozen Dominate VES Awards

Gravity-2

This may be the least surprising news of the awards season, but it’s news nonetheless. Gravity pretty much swept the Visual Effects Society (VES) Awards at their ceremony Wednesday night.

The only award it could have won but didn’t went to The Hobbit for Animated Character in a Live Action Feature. And that makes sense: they animated Sandra Bullock for scenes that were impossible to shoot practically, but it may be a bit of a stretch to consider that an “animated character.” Smaug is more consistent with the intent of the category.

Elsewhere, Frozen took all four Animated Feature categories. And Game of Thrones took a trio of TV awards.

See below for the complete list of winners. (Check out the nominees here.)

MOTION PICTURES

Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
“Gravity”

Outstanding Supporting Visual Effects in a Feature Motion Picture
“The Lone Ranger”

Outstanding Animation in an Animated Feature Motion Picture
“Frozen”

Outstanding Animated Character in a Live Action Feature Motion Picture
“The Hobbit: The Desolation of Smaug” – Smaug

Outstanding Animated Character in an Animated Feature Motion Picture
“Frozen” – Bringing the Snow Queen to Life

Outstanding Created Environment in a Live Action Feature Motion Picture
“Gravity” – Exterior

Outstanding Created Environment in an Animated Feature Motion Picture
“Frozen” – Elsa’s Ice Palace

Outstanding Virtual Cinematography in a Live Action Feature Motion Picture
“Gravity”

Outstanding Models in a Feature Motion Picture
“Gravity” – ISS Exterior

Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture
“Gravity” – Parachute and ISS Destruction

Outstanding FX and Simulation Animation in an Animated Feature Motion Picture
“Frozen” – Elsa’s Blizzard

Outstanding Compositing in a Feature Motion Picture
“Gravity”

TELEVISION AND COMMERCIALS

Outstanding Visual Effects in a Broadcast Program
“Game of Thrones” – “Valar Dohaeris”

Outstanding Visual Effects in a Commercial
PETA – “98% Human”

Outstanding Supporting Visual Effects in a Broadcast Program
“Banshee” – Pilot

Outstanding Animated Character in a Commercial or Broadcast Program
PETA – “98% Human”

Outstanding Created Environment in a Commercial or Broadcast Program
“Game of Thrones” – “The Climb”

Outstanding Virtual Cinematography in a Live Action Commercial or Broadcast Program
“The Crew”

Outstanding FX and Simulation Animation in a Commercial or Broadcast Program
PETA – “98% Human”

Outstanding Compositing in a Broadcast Program
“Game of Thrones” – “The Climb”

Outstanding Compositing in a Commercial
“Call of Duty” – “Epic Night Out”

OTHER MEDIA

Outstanding Real-Time Visuals in a Video Game
“Call of Duty: Ghosts”

Outstanding Visual Effects in a Special Venue Project
“Space Shuttle Atlantis”

Outstanding Visual Effects in a Student Project
“Rugbybugs”

Lifetime Achievement Award
John Dykstra

Visionary Award
Alfonso Cuarón

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All 4 Song Nominees to Perform at the Oscars

It has just been confirmed: Karen O will perform her Oscar nominated “The Moon Song” from Her at this years awards. She marks the final piece of the puzzle, after recent announcements that her fellow nominees – U2 (“Ordinary Love” from Mandela: Long Walk to Freedom), Pharrell Williams (“Happy” from Despicable Me 2), and Idina Menzel (“Let It Go” from Frozen) – will all perform live at the show.

(Scroll down for embedded videos of all 4 songs.)

In recent years, The Oscars have been a bit wishy-washy when it comes to performing the songs during the ceremony. This year will mark the first time all the song nominees have been performed live at the show since 2011.

Of course it helps that the worst, most embarrassing nominee was disqualified. And there are only four remaining to eat into the runtime. And those four are all excellent songs by popular performers.

“Let It Go” is still the prohibitive frontrunner, but it’s win is by no means as assured as it seemed a few months, or even weeks, ago. U2 picked up the Golden Globe, and they have the power of Bono and expert campaigner Harvey Weinstein behind them. Meanwhile, Pharrell Williams just picked up a handful of Grammys and has been campaigning super hard. “Happy” is practically everywhere these days.

Even Karen O has a few angles on the race: Voters could easily opt to show the movie some love in this category where competition might be stiffer elsewhere. As frontwoman for the Yeah Yeah Yeah’s, she carries the full weight of the quirky/indie/hipster demographic. And if the more obvious choices split the vote, “The Moon Song” could easily slip in.

Still, “Let It Go” is the most likely. Not only is it actually the best of the nominees, it’s the kind of song the category was meant for: integral to both the film’s story and overall theme. Not to mention, it marks a triumphant return to form for Disney.

Here, for your listening pleasure, are all the songs…

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